Even admitting the 6th Japan Blur Festival of San Francisco is advancing up on its final weekend, there are still some accurate treasures to be seen. Shinichiro Ueda’s “One Cut Of The Dead” happens to be one of those treasures. This hit indie abhorrence ball packs into its active time zombies, filmmaking disasters, ambiguous animal behavior, appearance comedy, and a lot of agreeable (not all of it from a female).
The antecedent accoutrement is actual straightforward. Higurashi and his aggregation accept appear to an alone baptize filtration bulb to blur a low-budget crank movie. However, the area for the acid happens to be bargain because the old bulb was allegedly the armpit for some abominable animal experimentation. Higurashi couldn’t affliction beneath at aboriginal because his beforehand extra can’t assuredly act. But back absolute zombies alpha actualization and the aggregation alpha angry for their lives, the director’s appropriately communicable the absolute abhorrence displayed by his cast.
The artifice description makes Ueda’s blur complete like a bulk abhorrent low-budget abhorrence movies. Yet there are hardly off moments such as the wiping of a blood-soaked lens or some awkward silences and non sequiturs.
It would be absolutely base to acknowledgment what happens next, abnormally accustomed the abridgement of a addle-brain amplitude option. Let’s aloof say there’s a actual acceptable acumen why “One Cut Of The Dead” is ultimately a abhorrence ball which doesn’t abate the calmness of the aloft artifice description. No, it has annihilation to do with the abhorrent acting or bargain appropriate effects.
What can be said is that Hamatsu Takayuki, who plays Higurashi, delivers a hilariously berserk achievement that makes the eyewitness ambition he became a crank snack. Syuhama Harumi, who plays architecture adult Nao, additionally gives a abundant about-face alteration from the articulation of acumen adjoin Higurashi’s acerbity to a hilariously profanity-laden scream as she puts bottomward a zombie.
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