Tonight at Saint Laurent, artist Anthony Vaccarello not alone had his archetypal babe assemblage airing on water—the pool-soaked aerodrome central the Trocadero was lined with white access copse and glistened in the afterglow of the Eiffel Tower—but offered up an arrangement of above-the-neck adorableness statements as arresting as his bounce wares. Think: Archetypal Marina Krtinic Cooper clad in a aflame chainmail capote with a heavily-fringed atramentous augment cut; Anna Ewers in a 24-karat gold anorak and hot covering pants, her bendable appearance alternate with abundant active eyeliner and a ablaze red mouth; and Sora Choi in a floaty, apparent atramentous chiffon gown—her lids swathed in citrus chicken shadow.
Conveying a faculty of individuality, while confined up audible and directional beard and makeup, here, bristles adorableness acquaint beeline from Saint Laurent’s bounce show.
Commit to a Dramatic Dye Job
A there’s-no-turning-back-now beard transformation for a 15-minute-long Saint Laurent show? It was a no brainer for blonde-haired Anja Rubik and raven-maned Sarah Brannon, who angrily went two-toned, acid-bright red and afire platinum respectfully. But if a full-on dye job aloof isn’t in the cards, there’s consistently the ombré approach, as apparent on newcomer Hanna Kamelina, whose aphotic albino lengths were biconcave in an irised ultraviolet hue for her absolute admission on Vaccarello’s runway. In accord with hairstylist Duffy, colorist Lena Ott gave seven added girls the abnormal blush treatment, riffing on aggregate from ‘90s-era Kate Moss blush to the affectionate of sun-bleached, Californian lengths you’d acquisition in a non-fashion appearance photograph by Joseph Szabo.
If It’s Time for a Haircut, Think Bangs or Bowl
A bald trim… a few layers… Not on hairstylist Duffy’s watch. No, if you’re in his pro-chair, or backstage at Saint Laurent for that matter, you’re committing to article a
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