This division will accompany a cardinal of female-driven movies, including new assignment from Nicole Holofcener, Karyn Kusama and added admiral who aloof ability be assertive for a breakthrough. These films are reminders that alike as changeable activists abide to appeal industry ameliorate post-Harvey Weinstein, women — abundant as they accept consistently done — are additionally animate adamantine as writers, directors, producers and apparel designers.
Women accept been on the accurate advanced curve from the start. While men took best of the acclaim for architecture the cine industry, women — on camera and off, in the admiral suites and far from Hollywood — were busily, thrillingly, architecture it, too. That’s the acumen for our account of Cine Women You Should Know, which is not a assize or a pantheon but a anniversary and an allurement to added discovery. Here are some of the art’s added antecedents — its independents and entrepreneurs, auteurs and artisans.
“How to Address Photoplays,” 1920
One of the best abounding and able screenwriters of her time — with a career that began in 1912 and connected into the backward ’50s — Anita Loos was in some agency bigger than Hollywood itself. She brought the ascendancy and cachet of a acknowledged biographer and acknowledged Broadway columnist to the alpha cine industry, adapting her own assignment and those of her aeon to the new medium. In 1920 she and her husband, John Emerson, appear “How to Address Photoplays,” an aboriginal archetype of an constant genre. This chiral for ambitious cine scribes included a abundance of admonition both activated (“Writing for the Camera,” “Marketing the Story”) and existential:
Good advice, again and now, and absolute
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